The unique project Being Set Free is one in which artists evolve their photographic artworks to achieve self-healing and personal discovery. Using intuitive or conceptual processes of creation, artists evolve their respective images around each of their own physical/emotional healing goals or subjects – setting oneself free from limitations, grief, disease, loneliness, encumbrances, disappointment, all […]
Posted on 01/24/2018 | Comments Off on Being Set Free
This is the third in a series of blog posts, conversations, focusing on the many entries we received for our call “The Photographic Performance 2017” that were not chosen for exhibition in the gallery, yet we feel demand an audience. We met Lori Two years ago at PhotoNOLA. She has had work in the gallery […]
Posted on 01/22/2018 | Comments Off on The Photographic Performance 2017/Lori Pond
This is the second in a series of blog posts, conversations, focusing on the many entries we received for our call “The Photographic Performance 2017” that were not chosen for exhibition in the gallery, yet we feel demand an audience. Bill Motley is a photographer from San Antonio, Texas. We think his project is important […]
Posted on 01/16/2018 | Comments Off on The Photographic Performance 2017/ Bill Motley
This is the first in a series of blog posts, conversations, focusing on the many entries we received for our call “The Photographic Performance 2017” that were not chosen for exhibition in the gallery, yet we feel demand an audience. This first project resonated with us significantly because we live in Texas. We know […]
Posted on 01/10/2018 | Comments Off on The Photographic Performance 2017/ Joan Brook and Jim Houser, PhD
The “black/white” exhibition juried by Elizabeth Avedon was in the gallery from August 4 to September 10, 2017. Elizabeth selected fifty one images from forty one artist. —ooOoo— “I’ve been forty years discovering that the queen of all colors is black.” – Henri Matisse The call to enter was simple. Black and White. The […]
Posted on 01/06/2018 | Comments Off on “black/white” juried by Elizabeth Avedon