bo – tan – i – cal :  concerning plants, agricultural, gardening, floral, grasses, herbs,  horticultural, shrubs, floricultural, botanic, weeds, landscaping,  arboricultural, trees, flowers …


“How I wished that I could come back as a flower,” a lyric in a Stevie Wonder song was being repeated over and over by a woman with a high, angelic voice, Stevie can be faintly heard singing harmony and making bird sounds in the background. Someone makes the sounds of the forest, possibly the lead guitar player, he has been sidelined for this tune.

Kenny ponders the last seventh of his second pint. Will he have another? He drinks them so fast and with such dexterity that the foam head is almost intact, about an eighth of an inch shorter and with the faint impression of a mustache. He now only comes into the bar on Fridays around five as the regulars and college kids start filtering in for the end of the week happy hour.

He put the Stevie Wonder forty-five in the jukebox almost exactly forty years before, when he was the bartender. The new owner asked him to spice up the playlist. He mixed in Pink Floyd and Led Zeppelin and Tom Waits and The Grateful Dead and others in with Hank Snow, Johnny Cash, Loretta Lynn, Lefty Frizzell, Marty Robbins and other country stars. He is proudest of the choice of Stevie Wonder.

Each Friday he comes into the bar, he never has gotten used to its new designation as a “pub,” takes his usual place in the last booth, Gil the bartender compliments him on his Hawaiian shirt with large hibiscus flowers on a beige background, placing the pint on a stained paper coaster with a well rendered representation of hops superimposed over an armadillo — his coaster. Kenny waits until he has finished the second pint to put the quarters in the jukebox to play the Stevie Wonder song. He wants to enjoy it with the warmth and medium intoxication the second beer brings.

All those years ago he never considered why he chose to include Stevie Wonder’s flower song. Now he knows. The three great loves of his life were Lilly, Jasmine and Holly, all gone. When he thinks of them in unison it seems ridiculous to him now, saccharine and unreal. But when he thinks of them individually he gets great tears in his eyes, filling them to overflowing, yet able to hold them in until they dissipate. Gil knows to look his way towards the end of the song, catching the neon sparkling in the puddles in his eyes, as do many of the regulars and a few of the college kids. Kenny doesn’t catch them looking his way, he only sees the distortion of the neon, appearing as flowers.

“And how I wished that I could come back as a flower, a flower…” From “The Bar Around The Corner” By Franklin Cincinnatus


Creativity is encouraged.


JUROR |  Wendi Schneider will be the juror for “botanical”.  Schneider is a Denver-based visual artist widely known for her ongoing series of hand-gilded photographs, States of Grace –– illuminated impressions of grace in the natural world. Drawn to the serenity she finds in the sinuous elegance of organic forms, she creates unique objects of reverence to preserve vanishing moments of beauty in our vulnerable environment.

Born in Memphis, TN in 1955, Schneider grew up in a family of artists, later earning an AA in Art History from Stephens College and a BA in Painting from Newcomb College at Tulane University. Her interest in photography germinated in the early 1980s with the use of a camera to reference models for oil paintings. Mesmerized by the possibilities of the photographic art form and the alchemy of the darkroom, yet missing the sensuousness of oils, Schneider began to layer oils on photographs to manipulate the boundaries between the real and the imagined. This process laid the groundwork for the unique layering and gilding that would later become the foundation of States of Grace.

In 1988, Schneider moved to New York City and began a diverse and successful career that included fine art commissions, photography for magazines, book covers, and advertising, and later (after a move to Denver in 1994) design and art direction. In 2012, she began to produce a collection of photographs featuring flora and fauna – the States of Grace series, which was to become her signature body of work.

Schneider’s photographs are held in the permanent collections of The New Orleans Museum of Art, The Center for Creative Photography, The Memphis Brooks Museum of Art, The Auburn University Library Special Collections, and The Try-Me Collection (among others), as well as numerous private collections. Her work has been published and exhibited extensively in solo and group exhibitions worldwide including AIPAD and Art Basel. Schneider is represented by A Gallery for Fine Photography in New Orleans, Arnika Dawkins Gallery in Atlanta, Catherine Couturier Gallery in Houston, Galeria PhotoGraphic in San Miguel de Allende, Mexico, Rick Wester Fine Art in New York, and Vision Gallery in Jerusalem, Israel.

Schneider is a collector of art and objects from the turn of the 20th century – primarily Art Nouveau, Arts & Crafts and photogravures. She sits on the executive board of the Colorado Photographic Arts Center.


SUBMISSION | Guidelines:  Digital images should 1000 pixels on the longest side saved in JPEG format at 72 ppi. Each image should be labeled with consecutive numbers followed by your name, i.e. 1FirstName_LastName.jpg. The number should correspond with the number on the application form.  Please do not watermark your images.  If you need help sizing your images, please follow this link https://convert.town/image-dpi


SUBMISSION | Online:  Fill out our online application to apply, send images, and make payment with Paypal. You will receive an email confirmation upon receiving the submission and payment. You can also fill and submit the online application, print out your confirmation email, and mail it with a check for your fees to the address below. 

SUBMISSION | Email:  Email image files and submission form to amanda@asmithgallery.com. The gallery will send an email confirmation upon receiving the submission and payment.

The gallery will send an email confirmation upon receiving the submission and payment.


SUBMISSION | Entry Fee:  $38 for the first 5 images, $7 per each additional image. Submissions of 11 or more images are eligible for a review of the submitted images by the gallery directors.  Submission fees are not refundable.


ELIGIBILITY |  Submissions are open to all photographers both professional and amateur working in all photographic mediums and styles. International entries are welcomed. Work that has been previously exhibited at A Smith Gallery is not eligible.


PRINTING/MATTING/FRAMING | Information:  The gallery offers printing, matting and framing services. If sending framed work, please use mats and frames that compliment your work and are appropriate in a gallery setting. Colored mats are discouraged. All images should be ready to hang with wires. Gallery wraps are not acceptable. If you have any questions regarding appropriate presentation please contact amanda@asmithgallery.com.


AWARDS|  The awards are as follows:

Jurors Award – $325.00
Directors Award – $250.00
Three Juror Honorable Mentions – an exhibition catalogue
Director Honorable Mentions chosen at the discretion of the Gallery Directors – an exhibition catalogue
Visitors Award – $100.00


SALES |  The gallery will retain 40% of the sales price.


USE RIGHTS |  Photographers retain full rights to their own images. The gallery will use the photographer’s images for publicity purposes as well as in the Blurb exhibition catalogue.


FOR MORE INFORMATION |  amanda@asmithgallery.com